Tag Archives: Indy E-Pubbing

Short story 4 is back from the editor!

The fourth short story in my upcoming dark fantasy is back from my editor, the merciless ogre and wielder of the blood pen!

Progress is good.

He excels at BJJ, so I must approach his revisions carefully, at the risk of my ancient joints and bones.

Once finished, that leaves eight remaining before we finalize the anthology for publishing. Updates will follow!

Thanks so much for everyone’s encouragement and asks about the anthology’s progress! I promise, we’re going as quick as we can, while adhering to some fairly demanding quality standards. (I cannot escape neck cranks. Therefore, I must rewrite). Being an Indie, limited resources means fluid timelines. Your patience is much appreciated!

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Crazy Fast Amazon Developments in Canada!

When I started out with Amazon’s KDP service, customer delivery was less than stellar. I had customers on the other side of Canada simply just not get their book because they weren’t home to receive it, and a wait time from click to doorstep of longer than three weeks.

Well, welcome to 2019!

Not only was I grateful to hear a reader had ordered both of my novels for Christmas (Merry Christmas!) on Thursday, but I was amazed when she told me it was delivered Saturday morning!

Seriously.

That’s a huge improvement.

To think that we’ve arrived at a time when the purchase click creates a printed book, ships it, delivers it into the customers hands, records and sends statistics on the sale directly to the author, and instantly deposits their advance, all in under 48 hours, is pretty mind-blowing, even for a jaded old get-off-my-lawner like myself.

Maybe this isn’t news to our American KDP comrades (and maybe even Canadian indies operating through KDP have already grown accustomed to this), but it sure is a rapid advancement in business efficiency for me.

Speaks well for the future of all indies. In a world where new creative product is, I feel, the biggest of future economies, making our products available faster for cheaper, and, I assume, catching us up to speed with the American ‘Zon market practices are the kind of assist we can all benefit from.

Speaking of cheaper, I’d be remiss if I didn’t mention that both paperbacks of To Drown in Sand and its sequel, To Drown in Ash, are on sale in time for the holidays, in case you’d fancy a copy.

Juris Lunence: A Tale of the 10th Lunen Regiment
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HUGE News: Sand Audiobook underway!!

I’ve been keeping it under my hat for awhile now, and believe me, it’s been a struggle to keep my mouth shut. (A constant struggle at the best of times).

But I can finally announce that recording for the To Drown in Sand audiobook starts in two weeks!!

My friends over at Iron Wave Studios have announced that they are good to go and will begin production in less than 14 days!

The cast has been picked, the mics are hot, and the crew is ready!

Venturing into the audiobook field is a new world for both me and the Ironworks gang, so there’s lots to learn. I’ll keep all of you blog peeps updated as things unfold (read: catch fire and trip me up as I stumble my way through this new venture).

If you haven’t read it, To Drown in Sand is Book One of my trilogy about a man who goes to a war zone to find peace. His regiment is populated by people from all the different Atlantic Canadian cultures.

Since it’s military sci-fi, those places don’t exist anymore (the earth died; sorry), their accents and cultural nuances are what stand out in their dialogues, and would make for a challenge for any production team.

That, and the signature sound of a rail gun rifle. I am dying to hear THAT.

Almost as much as hearing the people in my head given voice. Surreal.

To Drown In Sand: Book One of the 10th Lunen Regiment Trilogy
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Publishing Industry Nightmares.

In the ongoing discussion about whether indie publishing is tenable, or even a thing, a lot of ugly business emerges. Most of it is discovered after some careful digging through sites like J.A. Konrath‘s and others in the field who have exposed life in the publishing tower’s secrets. Every year, it seems more of Big Publishing’s practices are exposed, and more and more, they remind me of Big Oil and other “Bigs” who are desperately struggling to understand life in this digital age, and failing.

I strongly believe that we are just as immersed in a technological revolution, that has really just started, by the way, as society was during the Industrial Revolution. Fists are being banged onto desks refusing to acknowledge new ways. Furious millionaires are determined to choke every last dollar from dying industries and practices before they draw their last breath. Men who rose to power with typewriters and letters in the mail scoff at those who dare to publish without them, and do their level best to crush their progress.

Don’t believe me? Read through Konrath. or read this:

https://publishedtodeath.blogspot.com/2017/09/an-insiders-view-of-publishing-business.html?fbclid=IwAR1ltemVunMfjPrdJFe4_nvoayR-bm-KzCNZcNhlHdjV2MoQ1Py5EGO7UWg&m=1

I’ve written in the past about developments in the publishing field in the midst of all this; I find it fascinating to study. I also continue to describe my own journey through and around the barrage that is modern publishing. Note that I do separate that from writing; I don’t believe the two are necessarily connected, and for most people, shouldn’t be. (Same as self-publishing and indie-publishing are not necessarily the same thing).

Erica Verillo‘s not wrong. The chaos she describes is pretty plain to see; just look at your average bookstore chain’s shelves over a year and you’ll see it too.

I firmly believe the future is micro-economic. Small, cottage producers of content that grow organically to be sniffed at by Big Industry, prompting the creators of that content to decide to sell their wares to the machine, or not. And new, pioneering companies like Engen who take their drive and dreams and carve out a chunk using the current technology and craft relationships with their local writers who would never get a chance elsewhere. That is the future, friends.

This is not a new concept. See Teenage Mutant Ninja Turtles, Dungeons and Dragons, Warhammer, Call of Cthulhu, and every other small project that eventually became a marketing powerhouse.

And how did they do that?

Quality.

It always starts with quality.

I’m not saying I’m one of those. But I am saying I’m writing to write, small and in the dark every morning, shaping my stories, grooming them for the world that technology has finally made possible.

I’ve gone from coil-ring notebook, longhand writing to typing on paper, to blogging with clickable links, to printed copies in my hand and my amazon store of published novels and short stories.

And we are just getting started. But the journey, the process of this evolution, is really fascinating and worthy of recording. I really do see it as one of the greatest advancements of the arts in generations.

There was nothing like this for H.P. Lovecraft, or Charles Dickens, or Stephen King. Imagine if there had been! I’ve discussed such in The Write Podcast.

Society is quickly growing exhausted of reboots, and throwaway conclusions of stories because the writers had more lucrative things to do, and the endless mining of old material. They are starving for fresh stories, new worlds, and original ideas. There has never been a better time to have an idea. Everything you need to present it is literally at your fingertips.

And that’s me talking; the darkest, most jaded person I know. So, you know,…possibly relevant.







Juris Lunence: A Tale of the 10th Lunen Regiment
Saviour. Sniper. Survivor.
Download the FREE story of one of The 10th Lunen Regiment’s most notorious characters today!


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Of Blogabsences Substantial.

Aaron Dembksi-Bowden, one of my literary heroes and one of this generation’s Shakespeares, is mulling dumping his blogging, because it eats time.

Which is true. It does. It SO does.

But I am not him. I am, however, a bad blogger.

I had no idea my last entry was August 2018. That’s like, more than a whole year. Yeesh.

So, I’ve been busy during that time. Silly busy. Life, end of life, a full time career in a challenging field, my wife’s managing a chronic brain disease…oh, man. There’s been LOTS.

But that’s all a bunch of heavy stuff. More on The Heavy later. Too much of that already in this world right now. What I am happy about is the work I’ve been doing while Notblogging.

Holleeeee Firesticks. It’s been a big year at my desk. Dark fantasy short story anthology? Completed. Currently enduring the preparatory rites known as the Thousand Cuts of the Blood Pen, administered by a ruthless ogre who adamantly states it will be ready within six to twelve months. That’s PUBLISHED ready. As in, on the shelf and kindle.

And, I’m 296 pages deep into my fourth book, a fantasy novel that follows one of the shorts teed up in the anthology.

Funny thing, that. There are 13 short stories in the anthology, and each short tips off a separate novel to form a franchise. Which is brain-boggling to me. But there it is.

More details to come; just wanted to drop a hey to show I did not get snatched by a nightgaunt and swallowed in two pieces. I mean, whole would be tasteless, and three would just be messy.

And yeah; I know. They don’t have faces.

It’s called OSMOSIS, Chad.

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The Writer’s Madness (or, #ScrewSnowstorms).

Yesterday, we got whomped here in Nova Scotia with our first real winter storm this year.

In a classic moment of sheer lunacy, I broke one of my own rules yesterday: “Do NOT go out into the storm”.

But when you’re a writer, and your manuscripts are ready, it got me. Like one of my kids were stranded out there.

Luckily, I headed out into the snow before the worst hit, and made it to Staples (which is like heaven or Disneyland or church to me at this point, apparently) to pick up the last Edit Manuscripts for to Drown in Ash. During the drive I laughed at how my wife would script my obituary, should the worst happen.

manuscript-and-storm-chips

 

Even managed to drop of one of the copies off to Kalip of the Raised Eyebrow, one of my toughest Beta Readers, who clearly thought I was nuts to deliver a manuscript in a snowstorm. But his place was on my way home.

So, not nuts.

Now begins the copy review and edit meetings before sending it to my typist and beginning the cover work with my fabulous graphics guy, Dylan Edwards. After that, we submit, order the galley copy, final read, hit ‘publish’, and release.

What a difference between this process and what we went through for Ash’s predecessor, To Drown in Sand. It’s great to have a system. I love systems.

As payment for my sheer madness, my wife demanded I obtain Storm Chips, which are a real thing now. Especially when your husband is a Mad Writer.

Happy Shovel Day!

 

 

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My Fantasy Anthology is Underway, and it is a Heavy, Dark Thing.

UPDATE:

Three short stories in the can, three others ready for the editor, and six more in various stages. My next release, an anthology to introduce the world of my fantasy novel, is setting up nicely. Twelve stories so far, each set in this new medieval world of shadows and emerging war. Here’s the finished (but nothing’s ever really finished) prologue:

The Maw of War has opened.

After a century of peace, the world is being twisted and bent by the ruthless egos and dark ambitions of man.

Across the Eastern Sea, a horde of monstrous evil drives the brave Dwarven warriors of Wendthairne into the ocean in a desperate flight for refuge, hoping for solace from their former enemies, the long-silent Elves of Ahmrael.

The north of the Realm has frozen into a wasteland. Deep in the ice-encased mountains of North Elan, creatures stir that the world has never seen. Their hunger for ruin is absolute as they are borne from the shadows, seeking to bleed humanity. Enslaved by a new God, they exist only for his revenge and the destruction of mankind.

In the west, Archduke Lierdstiern schemes for the fall of a nation and the usurping of order. His swelling ambitions seduce him to concert with madness under the corrupting power of a new religion. His lies and merciless drive seduce him to new depths of unspeakable evil.

The kingdom of man, tethered together by the dream of peace in the Hall of Kings, is crumbling. Betrayal and deceit erode the carefully constructed foundations of a centuries’ serenity.

Darkness shrouds the evil work of deceit and murder. Horror and madness are creeping out from under the shadows of the night.

The Age of Peace is dying.

The door to ruin has opened. These are the stories of the destruction of hope. The seduction of sanity. The revenge of the forgotten. The wrath of bones.

The Wrath of Bones will be available this November.
Probably.
Meanwhile, I’m approaching the halfway point (Chapter Nine, Scene One) of To Drown in Ash, the sequel to Sand. Issep and the Boddies are in desperate times, surrounded by imminent death and unrelenting evil. The sequel has a much darker tone. The central theme emerging is loss.
Ooh.
THAT sounded foreboding.

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