Tag Archives: Independent Publishing

Crazy Fast Amazon Developments in Canada!

When I started out with Amazon’s KDP service, customer delivery was less than stellar. I had customers on the other side of Canada simply just not get their book because they weren’t home to receive it, and a wait time from click to doorstep of longer than three weeks.

Well, welcome to 2019!

Not only was I grateful to hear a reader had ordered both of my novels for Christmas (Merry Christmas!) on Thursday, but I was amazed when she told me it was delivered Saturday morning!

Seriously.

That’s a huge improvement.

To think that we’ve arrived at a time when the purchase click creates a printed book, ships it, delivers it into the customers hands, records and sends statistics on the sale directly to the author, and instantly deposits their advance, all in under 48 hours, is pretty mind-blowing, even for a jaded old get-off-my-lawner like myself.

Maybe this isn’t news to our American KDP comrades (and maybe even Canadian indies operating through KDP have already grown accustomed to this), but it sure is a rapid advancement in business efficiency for me.

Speaks well for the future of all indies. In a world where new creative product is, I feel, the biggest of future economies, making our products available faster for cheaper, and, I assume, catching us up to speed with the American ‘Zon market practices are the kind of assist we can all benefit from.

Speaking of cheaper, I’d be remiss if I didn’t mention that both paperbacks of To Drown in Sand and its sequel, To Drown in Ash, are on sale in time for the holidays, in case you’d fancy a copy.

Juris Lunence: A Tale of the 10th Lunen Regiment
Scoundrel. Saviour. Sniper..
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HUGE News: Sand Audiobook underway!!

I’ve been keeping it under my hat for awhile now, and believe me, it’s been a struggle to keep my mouth shut. (A constant struggle at the best of times).

But I can finally announce that recording for the To Drown in Sand audiobook starts in two weeks!!

My friends over at Iron Wave Studios have announced that they are good to go and will begin production in less than 14 days!

The cast has been picked, the mics are hot, and the crew is ready!

Venturing into the audiobook field is a new world for both me and the Ironworks gang, so there’s lots to learn. I’ll keep all of you blog peeps updated as things unfold (read: catch fire and trip me up as I stumble my way through this new venture).

If you haven’t read it, To Drown in Sand is Book One of my trilogy about a man who goes to a war zone to find peace. His regiment is populated by people from all the different Atlantic Canadian cultures.

Since it’s military sci-fi, those places don’t exist anymore (the earth died; sorry), their accents and cultural nuances are what stand out in their dialogues, and would make for a challenge for any production team.

That, and the signature sound of a rail gun rifle. I am dying to hear THAT.

Almost as much as hearing the people in my head given voice. Surreal.

To Drown In Sand: Book One of the 10th Lunen Regiment Trilogy
Order your copy today! On sale for Christmas!

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NaNoWriMo? Maybe NaNoEvMo…

Bricks in the wall. That’s my process. Same as training in the gym; everyday, one more brick, neatly mortared and tucked into place, grooved the gaps and levelled, before moving on.

That’s why I find NaNoWriMo not really workable. I write every day at around 5 am, and have for about 20 years. Many brick walls have resulted. Several now, thanks to Indie pubbing, turned into actual novels and short titles. I’m more like a NaEVERYWriMo sort.

But I love the energy November brings to everyone who puts their thought-worms to the page during NaNoWriMo. And it’s always encouraging to hear about so many independents working on their craft. Community, and all that.

Not too shabby, mister.

It’s been a tight month so far, with life and work demands. Some mornings I’ve only been able to swing little more than 20 minutes at the keyboard, but they are a happening 20 minutes, let me tell you, as I race to squeeze the juice out of every second and every creative synapse.

So, 17th day, and I’ve pumped out 7,665 words. That’s at chapter 22 of my current project, which is closing in on a healthy 150k words as I roll into Act Three.

That’s also while working on several different projects during the same period; the actual word count output is much higher, but I only count one major, current project at a time.

One in the man (first draft and rewriting), one in the can (being edited and prepped for publish), and one for the fan (new title on the shelf) is my approach. And I just received word that my current ‘work in the can’, a dark Fantasy anthology that tees up my whole new series titles , is almost ready for final read and cover prep. Gonna be an exciting year!

Juris Lunence: A Tale of the 10th Lunen Regiment
Saviour. Sniper. Survivor.
Download the FREE story of one of The 10th Lunen Regiment’s most notorious characters today!

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‘Uncle’ Alan Moore : “Self-Publish!”

In what many feel is the brave new world of constantly evolving indie economies, several prophets are emerging that I believe are the heralds of change. Alan Moore is one of them. I came upon this article in which Moore rings the bell that tolls for so many of us. That we are early in an industrial revolution that provides the arts with unprecedented opportunity.

https://io9.gizmodo.com/alan-moore-advises-new-writers-to-self-publish-because-1743575906

He’s not wrong. Many of the old guard are breaking rank and pulling back the covers on traditional publishing practices, as I’ve written about here and especially here.

But think of it in terms of the discovery of the new world. Very few in old Europe had any idea what North America was like, or what those who dared venture there had to do, and who to learn from (as in, they all would have DIED without help from the peoples who already lived here and ACTUALLY ALREADY OWNED THE LAND, but I digress), in order to survive. Nor did they care; they had their own concerns.

And I’m not saying Big Publishing is wrong, or that marketed writers are bad. We’d be nowhere without them. Nor am I saying that, given the opportunity, I’d back away from the chance to publish traditionally.

I do feel, though, pretty strongly, that there are few better ways to learn about both writing and publishing and business than to have to build your own canoe and make your own maps…uh, the canoes being books, and the maps being publishing them. I must work on my metaphors.

Getting lost, failing, losing your tools, learning from those kind enough to help, starving…all of those classic, fun trials.

Persistence. Determination. Curiosity. Humility. Those things that keep people going.

Nevermind that if your work didn’t stand up to quality, your would die back then. Little has changed, figuratively speaking.

But what I am saying is that there is a place for all of us, enabled by digital economies and the tools at our disposal. And it is certainly worth knowing that the economies of empire, whatever wilderness your operating in, has its own troubles.

One would never make it far by comparing successes to conglomerates who have already succeeded. Where’s the growth in that?

So, thank you, Uncle Alan, for the encouraging words. I believe you, sir, are particularly clairvoyant in your insight. May very well be quoted someday with a simple shrug and a nod, as a matter of obvious history.




The Dog
A walk in the dark invites an inescapable terror.

A horror short story in the spirit of Cthulhuian nightmares.
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Publishing Industry Nightmares.

In the ongoing discussion about whether indie publishing is tenable, or even a thing, a lot of ugly business emerges. Most of it is discovered after some careful digging through sites like J.A. Konrath‘s and others in the field who have exposed life in the publishing tower’s secrets. Every year, it seems more of Big Publishing’s practices are exposed, and more and more, they remind me of Big Oil and other “Bigs” who are desperately struggling to understand life in this digital age, and failing.

I strongly believe that we are just as immersed in a technological revolution, that has really just started, by the way, as society was during the Industrial Revolution. Fists are being banged onto desks refusing to acknowledge new ways. Furious millionaires are determined to choke every last dollar from dying industries and practices before they draw their last breath. Men who rose to power with typewriters and letters in the mail scoff at those who dare to publish without them, and do their level best to crush their progress.

Don’t believe me? Read through Konrath. or read this:

https://publishedtodeath.blogspot.com/2017/09/an-insiders-view-of-publishing-business.html?fbclid=IwAR1ltemVunMfjPrdJFe4_nvoayR-bm-KzCNZcNhlHdjV2MoQ1Py5EGO7UWg&m=1

I’ve written in the past about developments in the publishing field in the midst of all this; I find it fascinating to study. I also continue to describe my own journey through and around the barrage that is modern publishing. Note that I do separate that from writing; I don’t believe the two are necessarily connected, and for most people, shouldn’t be. (Same as self-publishing and indie-publishing are not necessarily the same thing).

Erica Verillo‘s not wrong. The chaos she describes is pretty plain to see; just look at your average bookstore chain’s shelves over a year and you’ll see it too.

I firmly believe the future is micro-economic. Small, cottage producers of content that grow organically to be sniffed at by Big Industry, prompting the creators of that content to decide to sell their wares to the machine, or not. And new, pioneering companies like Engen who take their drive and dreams and carve out a chunk using the current technology and craft relationships with their local writers who would never get a chance elsewhere. That is the future, friends.

This is not a new concept. See Teenage Mutant Ninja Turtles, Dungeons and Dragons, Warhammer, Call of Cthulhu, and every other small project that eventually became a marketing powerhouse.

And how did they do that?

Quality.

It always starts with quality.

I’m not saying I’m one of those. But I am saying I’m writing to write, small and in the dark every morning, shaping my stories, grooming them for the world that technology has finally made possible.

I’ve gone from coil-ring notebook, longhand writing to typing on paper, to blogging with clickable links, to printed copies in my hand and my amazon store of published novels and short stories.

And we are just getting started. But the journey, the process of this evolution, is really fascinating and worthy of recording. I really do see it as one of the greatest advancements of the arts in generations.

There was nothing like this for H.P. Lovecraft, or Charles Dickens, or Stephen King. Imagine if there had been! I’ve discussed such in The Write Podcast.

Society is quickly growing exhausted of reboots, and throwaway conclusions of stories because the writers had more lucrative things to do, and the endless mining of old material. They are starving for fresh stories, new worlds, and original ideas. There has never been a better time to have an idea. Everything you need to present it is literally at your fingertips.

And that’s me talking; the darkest, most jaded person I know. So, you know,…possibly relevant.







Juris Lunence: A Tale of the 10th Lunen Regiment
Saviour. Sniper. Survivor.
Download the FREE story of one of The 10th Lunen Regiment’s most notorious characters today!


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Canadian Indies Rejoice! CAD List pricing detail I missed!

In my post last week about the recent Amazon move to provide direct printing, shipping, and list prices here in Canada, I missed a crucial upside detail.

Click on the link for the official edict from the ‘Zon!

While this development levels the playing field for Canadian indie authors by cutting the time from that holy ‘Buy Now’ button click to doorstep arrival just in time for winter, it also triggers an exciting benefit pointed out by Engen Books ‘ savvy entrepreneur Matthew LeDrew:

Canadian indies can now list their titles at separate prices than their U.S. listings!

Want to run a weeks’s sale (other than Amazon’s existing sales deals) for your Canadian fans? Well, now you can!

Want to drop the first novel in a series for a Canada-based promotional run? Now you can do that too!

While you could always drop the price listing of any title, the end price was bonded to the USD listing and automatically increased for exchange. This resulted in a discouraging price difference between the .com and .ca listings, and made the classic $XX.99 pricing option much trickier in Canada. Now, all titles in both Canada and the U.S. can be the same price listing.

What’s the downside?

Naturally, Canadian authors who drop their exchange-rate balanced price listing take a hit in their royalty payment. And, as the exchange rate fluctuates, that can be substantial. However, if indies are experiencing slowed sales because of awkward CAD pricing, the flexibility allowing them to adjust their price to a more palatable, attractive listing may be the boost their sales needed.

And, the optics of balanced pricing, plus the knowledge of CAD-specific listing for readers from home may be another benefit for all creators of independent Canadian writing. You couldn’t experiment with either if you were chained to traditional publishing practices!

I’ve standardized the price listing for the paperbacks of both of my novels, To Drown in Sand and To Drown in Ash. And, to celebrate, I’ve dropped the price of Book 1 of the Trilogy to $14.99 CANADIAN! Finally looks like something my mom would decide to buy!

$26.63?? What kind of price is THAT?!?



Beaver tails, Double-Doubles, and now, Canuck indie fiction! A super development!

Stay tuned, like, or follow for continuing news and updates on any further KDP developments!



Upon a Wake of Flame (A tale of The 10th Lunen Regiment) Kindle Edition
Click on the image to grab your copy of the short story that started it all!

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Great News! KDP FINALLY reveals your historical sales!

Not sure if you noticed (the savvy among you probably have), but KDP quietly rolled out their new reports format!

I’ve wondered since I started with Kindle Direct Publishing why they could not plot out the master sales list for the titles Indies publish. Not only would it make for great nostalgia during those cold, isolated months of dead sales, and drive writers forward after seeing that, yes, there once was a day when you were knocking it out of the park (regardless of numbers; in this day and age, all readers are precious readers, in my opinion), but it’s important to be able to look back and see what you’ve accomplished in total.

At least, my accountant thinks it is.

Well, wonder no more!

screencap new archived database KDP

KDP’s new Historical Report gives you every single sale monthly since you started publishing, and every single KOLL page read. This enables you to accurately track total sales, identify trends, and total your copies sold and free titles distributed since the dawn of KDP-time.

The new format also sets up by sales period, and lists all royalties earned by country in total, which immediately gives you your best selling countries. The report still offers the month-to-date tables, but now provides a payments and pre-orders tab, all  in one header.

Slick, easy to use, and all in one place.

A huge development for Indie writers everywhere!

Stop looking at my short blue poles. I was busy writing.

Go check our your new KDP report page! What do you think of it?

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