Tag Archives: Editing

Publishing Industry Nightmares.

In the ongoing discussion about whether indie publishing is tenable, or even a thing, a lot of ugly business emerges. Most of it is discovered after some careful digging through sites like J.A. Konrath‘s and others in the field who have exposed life in the publishing tower’s secrets. Every year, it seems more of Big Publishing’s practices are exposed, and more and more, they remind me of Big Oil and other “Bigs” who are desperately struggling to understand life in this digital age, and failing.

I strongly believe that we are just as immersed in a technological revolution, that has really just started, by the way, as society was during the Industrial Revolution. Fists are being banged onto desks refusing to acknowledge new ways. Furious millionaires are determined to choke every last dollar from dying industries and practices before they draw their last breath. Men who rose to power with typewriters and letters in the mail scoff at those who dare to publish without them, and do their level best to crush their progress.

Don’t believe me? Read through Konrath. or read this:

https://publishedtodeath.blogspot.com/2017/09/an-insiders-view-of-publishing-business.html?fbclid=IwAR1ltemVunMfjPrdJFe4_nvoayR-bm-KzCNZcNhlHdjV2MoQ1Py5EGO7UWg&m=1

I’ve written in the past about developments in the publishing field in the midst of all this; I find it fascinating to study. I also continue to describe my own journey through and around the barrage that is modern publishing. Note that I do separate that from writing; I don’t believe the two are necessarily connected, and for most people, shouldn’t be. (Same as self-publishing and indie-publishing are not necessarily the same thing).

Erica Verillo‘s not wrong. The chaos she describes is pretty plain to see; just look at your average bookstore chain’s shelves over a year and you’ll see it too.

I firmly believe the future is micro-economic. Small, cottage producers of content that grow organically to be sniffed at by Big Industry, prompting the creators of that content to decide to sell their wares to the machine, or not. And new, pioneering companies like Engen who take their drive and dreams and carve out a chunk using the current technology and craft relationships with their local writers who would never get a chance elsewhere. That is the future, friends.

This is not a new concept. See Teenage Mutant Ninja Turtles, Dungeons and Dragons, Warhammer, Call of Cthulhu, and every other small project that eventually became a marketing powerhouse.

And how did they do that?

Quality.

It always starts with quality.

I’m not saying I’m one of those. But I am saying I’m writing to write, small and in the dark every morning, shaping my stories, grooming them for the world that technology has finally made possible.

I’ve gone from coil-ring notebook, longhand writing to typing on paper, to blogging with clickable links, to printed copies in my hand and my amazon store of published novels and short stories.

And we are just getting started. But the journey, the process of this evolution, is really fascinating and worthy of recording. I really do see it as one of the greatest advancements of the arts in generations.

There was nothing like this for H.P. Lovecraft, or Charles Dickens, or Stephen King. Imagine if there had been! I’ve discussed such in The Write Podcast.

Society is quickly growing exhausted of reboots, and throwaway conclusions of stories because the writers had more lucrative things to do, and the endless mining of old material. They are starving for fresh stories, new worlds, and original ideas. There has never been a better time to have an idea. Everything you need to present it is literally at your fingertips.

And that’s me talking; the darkest, most jaded person I know. So, you know,…possibly relevant.







Juris Lunence: A Tale of the 10th Lunen Regiment
Saviour. Sniper. Survivor.
Download the FREE story of one of The 10th Lunen Regiment’s most notorious characters today!


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Revision Mortalis

Revisions on the death scene of a favourite character is like stapling through your fingernail. Again.

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Starting 2017 the Write way!

The second book of my 10th Lunen Regiment trilogy is on its way for manuscript formatting and final read from the beta team before being sent to my lovely typist. To Drown in Ash will be the major project release for 2017 for me, and I can’t wait to see what happens when it hits.

So, I’m not.

Never have been much of a waiting type.

I started Book 3 halfway through writing To Drown in Sand, and now is the time to pull the trigger, click the dials, shove the shifter and stomp the gas. Tentatively titled To Drown in Fire, it has been almost 8 years in the making and will mark the conclusion of Kyris Issep’s journey.

fire-2017

(Yes, that is Burzum I’m listening to. Don’t judge; I need The Heavy. To Drown in Fire will be HEAVY. Heavy things that end epics make The Best Things).

That brings the total of writing projects for 2017 up to 4. Plus several new short stories I’m planning.

Let’s make 2017 the year we write! The year we produce! Your year to publish! Our year to crush this Indie thing!

What are you working on?

 

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My Fantasy Anthology is Underway, and it is a Heavy, Dark Thing.

UPDATE:

Three short stories in the can, three others ready for the editor, and six more in various stages. My next release, an anthology to introduce the world of my fantasy novel, is setting up nicely. Twelve stories so far, each set in this new medieval world of shadows and emerging war. Here’s the finished (but nothing’s ever really finished) prologue:

The Maw of War has opened.

After a century of peace, the world is being twisted and bent by the ruthless egos and dark ambitions of man.

Across the Eastern Sea, a horde of monstrous evil drives the brave Dwarven warriors of Wendthairne into the ocean in a desperate flight for refuge, hoping for solace from their former enemies, the long-silent Elves of Ahmrael.

The north of the Realm has frozen into a wasteland. Deep in the ice-encased mountains of North Elan, creatures stir that the world has never seen. Their hunger for ruin is absolute as they are borne from the shadows, seeking to bleed humanity. Enslaved by a new God, they exist only for his revenge and the destruction of mankind.

In the west, Archduke Lierdstiern schemes for the fall of a nation and the usurping of order. His swelling ambitions seduce him to concert with madness under the corrupting power of a new religion. His lies and merciless drive seduce him to new depths of unspeakable evil.

The kingdom of man, tethered together by the dream of peace in the Hall of Kings, is crumbling. Betrayal and deceit erode the carefully constructed foundations of a centuries’ serenity.

Darkness shrouds the evil work of deceit and murder. Horror and madness are creeping out from under the shadows of the night.

The Age of Peace is dying.

The door to ruin has opened. These are the stories of the destruction of hope. The seduction of sanity. The revenge of the forgotten. The wrath of bones.

The Wrath of Bones will be available this November.
Probably.
Meanwhile, I’m approaching the halfway point (Chapter Nine, Scene One) of To Drown in Ash, the sequel to Sand. Issep and the Boddies are in desperate times, surrounded by imminent death and unrelenting evil. The sequel has a much darker tone. The central theme emerging is loss.
Ooh.
THAT sounded foreboding.

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Achievement Unlocked: You Have an Editor!

About a year ago, I stumbled over a title minnowing through my newsfeed. It was a free promo, and the description intrigued me, so I downloaded it. The book was called Sweet Violent Femmes by Holly M. Kothe, and it was one of the best Indie products I have ever, ever seen.

I ripped through the book in one night. The theme throughout was the violent revenge of several women scorned. The tone and the writing left me stunned. I love dark fiction that makes me uncomfortable. Holly’s setup for her characters, how vulnerable they were, how driven and intent they were, were the perfect recipe to keep me locked in her pages.

I remember thinking that I wanted my work to read like that. For my books to be packaged that professionally. I considered Holly’s collection of short stories my benchmark.

Holly recently sent another minnow down my newsfeed. She had started an independent editing business. I wondered if this would be the chance for me to climb the writer’s stairs and improve my work. To get it closer to my expectations. It was time for me to take that next step.

I scrounged my lunch money and emptied my writer’s account and borrowed change from my son. (Not really, but almost). I had no idea how much Holly would charge me for her work. I knew that editors are ridiculously expensive and meant only for the marble halls in New York and Who-do-you-think-you-are-anyway-having-real-writer-expectations-of-yourself?

I looked into Holly’s site. Read the reviews by other writers. Counted how many writers she had edited. I studied their covers and Amazon pages. I narrowed my eyes a lot. These were pro writers with solid covers and there were a lot of them.

I sent off the manuscript to Holly on May 6th . I received my contract and bill for half of her (VERY reasonable) price that afternoon. I signed the bill digitally, pressed send, and left the rest to the will of the Gods.

I had the edited manuscript back in my digital hands on May 13th, and the invoice for the rest of her fee.

Eight days.

Eight.

Her work on the manuscript for my short story was exactly what I had hoped for. She was supportive, objective, clinical, and precise. I could not be happier with her work. With her edits and her suggestions for certain story flow mechanisms, Upon the Devil’s Shoulder reads like a polished, professional work.

And I’ve already finished anther short for the anthology to send to her.

See, because that’s what I’ve learned. How it works when you don’t self-edit, and leave that up to the pros.

You can just go write.

A LOT.

It’s a tough lesson to learn. I know not everyone is in the position to afford an editor. But, after spending 2 years rewriting To Drown in Sand (AFTER it’s been uploaded), when I could have used that time writing its sequel, I can no longer really afford not to. And I’m pretty confident, after seeing what this short story is becoming, that the result in quality will help me afford access to Espresso Editor a lot faster.

I did not for a moment experience the insecurity/protective instinct that I’ve had in the past. Having read Holly’s work, I knew THAT was what I wanted my work to look like. In a way, she is her own best promotion.

And I genuinely feel that I’ve stepped to another platform: from hobby writer to the real thing. Once you’ve read Upon the Devil’s Shoulder, you may agree with me.

If you’re an Indie writer, and are considering going to an editor, stop. Don’t consider it. Go do it. And one of the brightest young women you could ever hope to find will edit your work quickly and quietly at Espressoeditor.

Just don’t get her too busy. I would now be lost without her.

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What works with Amazon: An evolving education in Indie publishing.

 

So. I conducted an experiment.

“You gotta have free stuff,” they said. “Folks love free stuff.”

My Indie Pubbing guru J.A. Konrath says it, too. More quality, more titles, more free. And Johnny B. Truant and Sean Platt describe it thoroughly, using the concept of Funneling.

The Traditional Publishers still gnash their teeth, flap their tiny arms, and growl that not anyone can do this; that they have special services that guarantee quality and success.

They’re right; they do. But I say anyone can make their own success, if you learn the game, and demand quality of yourself.

Juris Lunence took only about four months to finish from initial draft, to polished, packaged, buffed, price on the windshield, and out on the lot. Plus, it was a lot of fun to write. So overall, not a loss of time in any way. It’s a short story prequel to Book 1 of my Trilogy, To Drown in Sand. 

Kobo went live with Juris Lunence first, and that was intentional. We loaded it to Amazon, didn’t announce it, and read the purchased copy while Kobo chewed on the upload. Since Kobo takes considerably more time to publish a title, we used that to proof the digital copy that went live on Amazon that was still priced at Amazon’s somewhat silly $.99 price. We caught our glitches, re-uploaded to Amazon, and the final copy was live before Kobo hit the market. Then we uploaded the corrected version to Kobo. Kobo’s copy of Juris went up for free (because they do that), and we reported Amazon being undersold by Kobo. The $.99 still appeared on the Amazon copy for first three days, but buyers received it free because of price-matching. At the end of the third day, Juris Lunence looked like this:

 

Juris Free

 

Then, the FB group blitz. My poor followers. Their feeds must look like I’m a megalomaniac. Over 40 groups in one night, then roughly 15 more over the next few evenings. They were kind not to appear on my lawn with rage and torches.

I purchased a small bottle of Goldschlager (one of those tiny airplane bottles, I’m not a drinker), my favourite Victory Juice. Parked it next to my laptop on the kitchen table, and waited. I was only going to open it if I hit 10 free downloads.

Then this happened:

photo 1

Those little buggers are hard to open when you’re excited. I had to use my pliers.

3 days later, there wasn’t a bottle big enough to celebrate cracking an Amazon Top Ten list, and the Top 100 in Kindle Books:

photo 2

10 days later, here’s what the 4 months of work did for my Author rankings:

Author Central Stats Sci-Fi and Fantasy Ranking Scince fiction rankings

 

And here’s the total snapshot of Juris Lunence downloads, and what it did for To Drown in Sand (the little red lines at the bottom).

photo 3

 

Did I sell a lot of copies of To Drown in Sand? Not really, at least not yet.

Did I sell more than if I hadn’t written and promoted a free release? Yeh.

Did I climb through the Amazon algorithm and increase my Author ranking? You betcha.

Did I gain new readers, and get over 100,000 new people looking at my title? Yip!

Is Konrath and Truant and Platt right? Absolutely.

The conclusion is pretty much irrefutable, which is rare in this Grand Indie Game.

Free works as long as it’s quality. And anyone can make that happen.

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Of Evolving Covers, Convergence, and How Lucky I Was To Meet Dylan.

Large things start small. Like seeds in the dark. I met Dylan Edwards in Grade Eight. He had hand-drawn comics spilling out of his saxophone case that I handed back to him. Talk about epic moments in time. We were the two biggest nerds consistently from then until we graduated. Nerd legends for our hobbies, interests, and isolation. We were instant brothers, kin in suffering the glacial pressures of growing through adolescence.

We started a comic company in grade nine; and we were the guys play-testing our Zombie Apocalypse role-playing game in study hall during exams. We rolled our eyes and ignored the jibes of the typical detractors through it all, with eyes locked on one another; that precious psychic bond of survival. He went on to become one of the best fathers I’ve ever been privileged to know, and the best friend a man could ever wish for.

He also became an incredible artist. Despite my constant, frantic texts, emails, mistakes, dysfunctional uploads, and endless problems, he remains, as always, stoically patient, and everwise. And waiting for his new cover drafts is better than Christmas. His idea for the cover for my new prequel short story, Juris Lunence, blew me away.

Here’s the first draft:

 

Juris cover 1 draft

 

And the final version:

 

Juris 2nd draft covr

 

Once you’ve read the story, I think you’ll get just how awesome this image really is. At least, it flattens me pretty effectively. Crazy to think how small things like me grabbing a dropped piece of drawing can turn into such things. Reminds me to keep looking for them.

Juris Lunence is available for free on Kobo, and, as soon as enough people tell amazon they are being undersold, free on Kindle as well.

 

~B.

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Just a quick mo’…

Just popping in to provide the means to acquire a professionally edited, reasonably well-written, and ABSOLUTELY FREE  story about a fantastic character.

http://store.kobobooks.com/en-CA/ebook/juris-lunence

 

Juris 2nd draft covr

 

There. I’m done. Please return to your awesome day.

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Red Pen-marks are not scars on the soul.

Juris Lunence just went live yesterday. It’s the origin story of one of my favourite characters in To Drown in Sand, mainly because when he stepped on stage in my mind, I had no idea who he was. Then he started doing Very Awesome Things, and became a lynchpin plot figure for the climax of the novel.

Juris marks the first time I’ve gone beyond Beta and self-editing, and it shows. My amazing editor, Chad Horton, graciously offered to edit for me pro bono. His warnings were clear:

“I will be merciless.”

And, thank the Saints, he was.

This is what I got back,over a very nice lunch.

Image

 

Image

Image

Image

 

What surprised me, though, was that no tears fell onto my Fish and Chip dinner.

Instead, I was more excited than ever before. He had magically taken my work, sensed exactly what I was trying to do with it, and pushed me back to tweak the language and structure. I learned so much from rewriting Juris that I shudder to think what it would have become without him.

Yes, there were rewrites and revisions afterwards. Typos caught and created, little mice to chase through the pages. But the PLAN was clear.

 

Image

It wasn’t like before. No doubt-filled story arcs and soul-squashing plot questions. I had a plan; a highway, with signs, little yellow marker-bars, and a destination. And I saw the difference in the end result between this story and other stuff. Not that it wasn’t good writing; I really think it stands up.

But not as pain-free as having a qualified eye take my work out of the jar that is my head, and look at it through the microscope of the objective reader.

Thus, my new rule.

Get It Edited.

I was editing before, but not in the way that created the separation required. It’s a lesson I’m ecstatic to learn, especially as an Indie.  Call it a corner in the path, I guess.

Nice view from here onward.

 

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What I’ve learned: 4 months post-release.

It all started with an initial wave of increasing sales every month. Upon a Wake of Flame was released as a test in the fall, and Sand was released just before the beginning of December. I watched the KDP sales reports like a maniac. By February, I was closing in on 100 copies sold. Then things slowed, and I realized I had probably run out of friends who bought my writing out of support. I watched this thing return to a state of rational conduct.

But, something silly had happened. I stopped Writing, and started Marketing.

I had let something happen that I had promised not to; I had fallen for it. I had let myself enjoy the film. Suspended my disbelief, and let myself buy in. I’d grown accustomed to the 4 months of increasing sales, and the little rush of beating last month’s numbers.

But, as it inevitably had to, things calmed down, and, in February, To Drown in Sand was raised from its comfortable sit, propped up by its little arms, and set free. No more Facebook sales drives. No more Pinterest jamming. I want to see what it can do; what happens when someone doesn’t just BUY my writing, but READS my writing, and tells someone else about it. So, now, the book is up on its own legs, and is taking its staggering, uncertain steps forward on its own.

Hard to watch. The coffee tables around here have very sharp corners. I’m holding my breath.

Since the beginning of March, sales have continued in the UK, which is great, because word is getting around over there. And that’s a huge surprise. In the US and Canada, each month brings someone new to Alseiry Beach, Shastre, and the Boddies, so I’m more than cool with that.

So here’s what I’ve learned:

An Ebook is NEVER finished.

Endless tweaks. Endless. Each new upload of even the smallest change results in catastrophic changes in page breaks, margin changes, and even accusations of disorganized formatting in reviews. Such things are taken, considered a part of the exercise in education and live formatting, and fixed.

Speaking of which;

If I read my reviews, I pretend I’m someone else. As in, a potential reader. And then I forget about it. Back to the keyboard.

Pinterest is fun; a great, free, promotional tool, and a substantial time-sink.

I spent a LOT of time fishing on Pinterest. Which was fun, but killed my writing time. And, while I did see direct sales from it, I had much more enjoyment discovering new writers like A.J. Wilson, Brian Parker,  Terry C. Simpson, and Holly m. Kothe, and promoting them on my Pinterest boards.

Facebook is a sticky, ego minefield.

Facebook  groups became a bit of a mire; free advertising that resulted in direct sales, but it taught me a lot about the demographics of Indie writers that spend time there. Some people don’t really want advice when they ask for it. They want you to tell them how awesome they are. They want to smack you in the face with their books. IF they’ve really published one. There are a lot of writers who haven’t actually published anything, which shocked me. And a lot who probably shouldn’t have published what they did. A quick glance at a free sample of their writing shows which writers think their story is too precious for an editor, and which editors weren’t real editors, and which writers really, really want their work to be good.

Others, though, are incredible folks who want to accomplish what you want to. They want to be Writers. Find those, and you have comrades.

Overall, no big loss of time. I learned volumes from the exploration. Biggest take-away? Just like my heroes say.

Get back to writing.

It’s true, you know. The only thing that will sell your last book is your next book.

Thus, I dove back into the fray. That awesome, loving, splashy, ridiculous fray. On went the headphones and the Steve Jablonsky music. And man, it was good to go back.

Thus, Juris Lunence was born.

I’ve just finished the latest draft of the new back-story for one of my favourite characters from the 10th Regiment. Even got a new editor to take a look at it, and rip into it with his red pen. (More on that next time).

Great fun was had by all. My awesome graphics designer Dylan Edwards is hard at work on a cover, and the final draft will be ready for release soon.

I don’t have any free stuff. Everyone says “You gotta have free stuff.”

So, we’ll go with that for this release. It’s about 25 pages, but they are 25 Very Good Pages. Juris Lunence was a great deal of fun to write, and will go in the stack that will eventually create a short-story anthology; a complete prequel-set for the 10th Lunen Regiment Trilogy.

Here’s a glimpse of the (very) rough draft of one cover concept; Dylan is drafting a few more that I’ll be too excited to contain, and therefore will pop up here for perusal.

Juris Lunece Concept

More updates on its release as things unfold.

Onwards!

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To Hold in Hand Completion.

Everybody does this now. I hate to be everybody. But there’s nothing else like it, and now I get why.

The first unboxing. The birth of the Galley, and the delivery into your hands.

One very, very surreal moment.

Wow.

The hand stops a-tremble when the eyes read the words.

The hand stops a-tremble when the eyes read the words.

600 pages of work. Sitting in your hand.

Now THAT’S why we do this.

Please forgive me while my innards glow.

 hard copy
If you’d like a copy for your very own hand, here’s where you can get one:

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The excitement of release. (Wow…that could sound so wrong).

Well, that was fun. We cringed, we howled. I revised and rewrote, interviewed soldiers and rocket scientists, went back again and again to the keyboard until we all agreed that it was ready.

It’s ready.

It’s done.

The short story prequel to this November’s To Drown in Sand is up and live.

It’s called Upon a Wake of Flame, and it is now up for sale.  The link is here, and on my sidebar.

http://www.amazon.ca/Upon-Flame-Lunen-Regiment-ebook/dp/B00ELP2LOS/ref=sr_1_1?ie=UTF8&qid=1376759899&sr=8-1&keywords=upon+a+wake+of+flame

Upon a Wake of Flame was supposed to be a promotional piece that served as a test for the upload and editing process. It evolved into so much more; an invaluable lesson in writing, revision and completion.

And as always, Dylan’s cover and design are incredible.

Upon a Wake of Flame is available on Amazon and Kobo E-Books for $0.99 Canadian. If you enjoy it, please rate it and post a review.

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Of the Almighty Blurb

After much research and fussing, I took the advice of my graphics designer, the amazingly talented Dylan Edwards. About eight months ago, when we were discussing the blurb for my book, he gave one of his priceless pearls of wisdom to me:

“I don’t think writers should write their own blurbs. They’re too close to their story.”

However, I don’t think he realized what he had said. Because  last week, I took him up on his advice and asked him to write one.

Thankfully, he was able to squeeze time out from his busy work schedule as an animator, film maker, cover designer, all-round creative genius, and father, to put an awesome first draft together.

After some editing (which was hilarious, ME editing HIS work for  a change), we came up with the result below, which thankfully, he thinks will fit on the back cover:

To Drown In Sand – A Novel of the 10th Lunen Regiment
by BC Laybolt

No matter how far you run, your shadow follows.

Centuries ago, they fled the doomed Earth. Their damaged flotilla stumbled on a new star system and colonized the worlds they found there. The ragged remnants of mankind fought the elements and each other to survive. Out of terror and darkness, the Nar Exus Triumvirate was created, enforcing a fragile peace between their planets.

But on the dwarf planet called Shastre, the people’s simple life along the rivers and in the mountains, unconcerned with the politics of the Triumvirate, has backslid into superstition and savagery under the sway of a murderous warlord known only as Ter Ense. The Triumvirate has responded to reports of genocide on Shastre by sending the 10th Lunen Regiment to restore order. But danger dwells deep in the jungles of Shastre. An ancient darkness that predates the flotilla is awake after a long slumber.

To escape his tragic past, a man named Kyris Issep arrives on Shastre as a fresh recruit. He has come to a war zone, seeking peace for his damaged soul. His commanders see him as a weapon they hope to wield against the enemy. His squadmates see him as a bad omen they fear will get them killed. Issep is not sure of the truth himself, only that something in the jungle is calling to him, and he will travel into the heart of darkness to confront it.

Ooh…catchy!

The blurb also fits well into the Wiki for the book.

Another step closer!

© 2013 B.C. Laybolt

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Ah. So THAT’S what revision means.

Well, revision of the first draft of To Drown in Sand is properly underway. While my theme editor, the amazing Chad Horton, performs his surgery, I’m working through each scene with surprise and a sense of wonder.

After following Mr. King’s advice, and not touching or looking at the manuscript since about September (alright, I’m fibbing. I may have tweaked and toggled bits here and there, but nothing committed. I actually dug pretty deeply into the sequel), I pulled out my copy of the book and my red pen, took a deep breath, and flipped open the last scene. I like to rewrite backwards, apparently.

I admit to thinking that the manuscript actually wouldn’t need much.

Which is great. Because, in this case, I’m glad I was wrong.

I didn’t really know what revision was. But after researching it thoroughly, and discovering how critical it is to the process, I’m getting genuinely excited when I start to carve into a new scene.

Why?

Because every page I find myself slicing through with my red scalpel tells me that I’m doing this right. The real way. Necessity for rewrite means it can be improved. And improved means becoming a better writer. And that’s very redeeming.

Observe; page 237 of the manuscript. All my pages looked like this at first, and in my blissful naiveté, I thought most of them would remain so.

page 237 before

Ha.

Same page, after surgery:

page 237 (2)

I am still a little shocked at the amount of rewrite required for each page.

And thrilled.

Same for page 240:

page 240 before

Annnd after:

page 240 after

A lot of pages are so covered in red scars now that they are barely recognizable:

page 316 unrecognizable

And there have been many surgical murdering of darlings. Ouch.

murdered darlings

Rather than seeing my edit notes as an indicator of  how much work there remains to do, or how long the total writing will take (which could be a real drag), I’m looking at clear evidence, in crimson no less, of my writing getting better. Every note is like a gram of writing knowledge in ink; things that I’ve learned since finishing the first draft are adding up in pounds.

The red is FAR more important that the 300+ pages of crisp, black, Courier New.

Like any scar, they are signs of growth and change.

Looking back, my fear came from the same place most of ours do: the unknown. But I really am overjoyed to find myself enjoying this part of the process. It’s exciting. It gives me a chance to sand the edges smoother, and insert slices of art and thought that I know can work better than the version I started months ago.

If there’s a sequel, one can wedge in themes that you know will be incorporated later that weren’t in your head when you first started.

And I’m surprised by how quickly it goes. It’s not really arduous, if you drink lots of coffee, take breaks, and don’t think about things like missed workouts and clocks ticking on Amazon, Kobo, iBooks, and other waiting markets that might miss your genius if you don’t hurry up. I think that’s all very silly.

Time.

Time creates quality.

So, with my reasonable self-imposed deadline in mind (upload date 3rd week of October, then tests on the platforms, then announce the release on POD and eBook November 2013), I’ll be taking mine.

It’s really too much fun not to.

© 2013 B.C. Laybolt

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