Category Archives: Indie Publishing Developments

Publishing Industry Nightmares.

In the ongoing discussion about whether indie publishing is tenable, or even a thing, a lot of ugly business emerges. Most of it is discovered after some careful digging through sites like J.A. Konrath‘s and others in the field who have exposed life in the publishing tower’s secrets. Every year, it seems more of Big Publishing’s practices are exposed, and more and more, they remind me of Big Oil and other “Bigs” who are desperately struggling to understand life in this digital age, and failing.

I strongly believe that we are just as immersed in a technological revolution, that has really just started, by the way, as society was during the Industrial Revolution. Fists are being banged onto desks refusing to acknowledge new ways. Furious millionaires are determined to choke every last dollar from dying industries and practices before they draw their last breath. Men who rose to power with typewriters and letters in the mail scoff at those who dare to publish without them, and do their level best to crush their progress.

Don’t believe me? Read through Konrath. or read this:

https://publishedtodeath.blogspot.com/2017/09/an-insiders-view-of-publishing-business.html?fbclid=IwAR1ltemVunMfjPrdJFe4_nvoayR-bm-KzCNZcNhlHdjV2MoQ1Py5EGO7UWg&m=1

I’ve written in the past about developments in the publishing field in the midst of all this; I find it fascinating to study. I also continue to describe my own journey through and around the barrage that is modern publishing. Note that I do separate that from writing; I don’t believe the two are necessarily connected, and for most people, shouldn’t be. (Same as self-publishing and indie-publishing are not necessarily the same thing).

Erica Verillo‘s not wrong. The chaos she describes is pretty plain to see; just look at your average bookstore chain’s shelves over a year and you’ll see it too.

I firmly believe the future is micro-economic. Small, cottage producers of content that grow organically to be sniffed at by Big Industry, prompting the creators of that content to decide to sell their wares to the machine, or not. And new, pioneering companies like Engen who take their drive and dreams and carve out a chunk using the current technology and craft relationships with their local writers who would never get a chance elsewhere. That is the future, friends.

This is not a new concept. See Teenage Mutant Ninja Turtles, Dungeons and Dragons, Warhammer, Call of Cthulhu, and every other small project that eventually became a marketing powerhouse.

And how did they do that?

Quality.

It always starts with quality.

I’m not saying I’m one of those. But I am saying I’m writing to write, small and in the dark every morning, shaping my stories, grooming them for the world that technology has finally made possible.

I’ve gone from coil-ring notebook, longhand writing to typing on paper, to blogging with clickable links, to printed copies in my hand and my amazon store of published novels and short stories.

And we are just getting started. But the journey, the process of this evolution, is really fascinating and worthy of recording. I really do see it as one of the greatest advancements of the arts in generations.

There was nothing like this for H.P. Lovecraft, or Charles Dickens, or Stephen King. Imagine if there had been! I’ve discussed such in The Write Podcast.

Society is quickly growing exhausted of reboots, and throwaway conclusions of stories because the writers had more lucrative things to do, and the endless mining of old material. They are starving for fresh stories, new worlds, and original ideas. There has never been a better time to have an idea. Everything you need to present it is literally at your fingertips.

And that’s me talking; the darkest, most jaded person I know. So, you know,…possibly relevant.







Juris Lunence: A Tale of the 10th Lunen Regiment
Saviour. Sniper. Survivor.
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Canadian Indies Rejoice! CAD List pricing detail I missed!

In my post last week about the recent Amazon move to provide direct printing, shipping, and list prices here in Canada, I missed a crucial upside detail.

Click on the link for the official edict from the ‘Zon!

While this development levels the playing field for Canadian indie authors by cutting the time from that holy ‘Buy Now’ button click to doorstep arrival just in time for winter, it also triggers an exciting benefit pointed out by Engen Books ‘ savvy entrepreneur Matthew LeDrew:

Canadian indies can now list their titles at separate prices than their U.S. listings!

Want to run a weeks’s sale (other than Amazon’s existing sales deals) for your Canadian fans? Well, now you can!

Want to drop the first novel in a series for a Canada-based promotional run? Now you can do that too!

While you could always drop the price listing of any title, the end price was bonded to the USD listing and automatically increased for exchange. This resulted in a discouraging price difference between the .com and .ca listings, and made the classic $XX.99 pricing option much trickier in Canada. Now, all titles in both Canada and the U.S. can be the same price listing.

What’s the downside?

Naturally, Canadian authors who drop their exchange-rate balanced price listing take a hit in their royalty payment. And, as the exchange rate fluctuates, that can be substantial. However, if indies are experiencing slowed sales because of awkward CAD pricing, the flexibility allowing them to adjust their price to a more palatable, attractive listing may be the boost their sales needed.

And, the optics of balanced pricing, plus the knowledge of CAD-specific listing for readers from home may be another benefit for all creators of independent Canadian writing. You couldn’t experiment with either if you were chained to traditional publishing practices!

I’ve standardized the price listing for the paperbacks of both of my novels, To Drown in Sand and To Drown in Ash. And, to celebrate, I’ve dropped the price of Book 1 of the Trilogy to $14.99 CANADIAN! Finally looks like something my mom would decide to buy!

$26.63?? What kind of price is THAT?!?



Beaver tails, Double-Doubles, and now, Canuck indie fiction! A super development!

Stay tuned, like, or follow for continuing news and updates on any further KDP developments!



Upon a Wake of Flame (A tale of The 10th Lunen Regiment) Kindle Edition
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Great Amazon News for Canadian Indies!

The recent announcement that Amazon’s KDP has begun manufacturing in Canada has Canadian Indie authors excited!

Click on the link for details!

What does this mean?

KDP books will now be printed right here in the True North. That means faster ordering time, less printing and shipping time, and FREE DELIVERY FOR PRIME CUSTOMERS IN CANADA.

This marks a huge step forward for Canadian writers. Now, Amazon Canada will work just as fast to get customer’s copies of their ordered books to their doors as the U.S. Amazon service does.

What other benefits does this bring?

Besides levelling the playing field for Canuck Indie authors’ customers, there are two other important changes that affect Canadian Indies’ businesses:

1: Canadian Royalty reports on our KDP reports will now be generated through Amazon.ca. No more converting .ca sales royalties from inherent .com royalties first!

2: CAD (Canadian Dollar) list prices! Print copies will be automatically listed in CAD on the Canadian ‘Zon. No more discouraging price differences between USD and CAD that can cause customers to not click that precious ‘Buy Now’ button!

What’s the downside?

Author Copy shipments and Proof Copies will still be printed and shipped from the U.S; “as of today” (October 16, 2019). That phrasing could be important, because it may be a hint that those important copy printing locations may someday change. Which would greatly reduce Author Copy shipping costs. Reducing the cost of tailgate sales production would be a game changer for independent writers in Canada.

Stay tuned, follow, or join my email list for updates on these important developments!




To Drown In Ash: Book Two of the 10th Lunen Regiment Trilogy Kindle Edition
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Of Blogabsences Substantial.

Aaron Dembksi-Bowden, one of my literary heroes and one of this generation’s Shakespeares, is mulling dumping his blogging, because it eats time.

Which is true. It does. It SO does.

But I am not him. I am, however, a bad blogger.

I had no idea my last entry was August 2018. That’s like, more than a whole year. Yeesh.

So, I’ve been busy during that time. Silly busy. Life, end of life, a full time career in a challenging field, my wife’s managing a chronic brain disease…oh, man. There’s been LOTS.

But that’s all a bunch of heavy stuff. More on The Heavy later. Too much of that already in this world right now. What I am happy about is the work I’ve been doing while Notblogging.

Holleeeee Firesticks. It’s been a big year at my desk. Dark fantasy short story anthology? Completed. Currently enduring the preparatory rites known as the Thousand Cuts of the Blood Pen, administered by a ruthless ogre who adamantly states it will be ready within six to twelve months. That’s PUBLISHED ready. As in, on the shelf and kindle.

And, I’m 296 pages deep into my fourth book, a fantasy novel that follows one of the shorts teed up in the anthology.

Funny thing, that. There are 13 short stories in the anthology, and each short tips off a separate novel to form a franchise. Which is brain-boggling to me. But there it is.

More details to come; just wanted to drop a hey to show I did not get snatched by a nightgaunt and swallowed in two pieces. I mean, whole would be tasteless, and three would just be messy.

And yeah; I know. They don’t have faces.

It’s called OSMOSIS, Chad.

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Great News! KDP FINALLY reveals your historical sales!

Not sure if you noticed (the savvy among you probably have), but KDP quietly rolled out their new reports format!

I’ve wondered since I started with Kindle Direct Publishing why they could not plot out the master sales list for the titles Indies publish. Not only would it make for great nostalgia during those cold, isolated months of dead sales, and drive writers forward after seeing that, yes, there once was a day when you were knocking it out of the park (regardless of numbers; in this day and age, all readers are precious readers, in my opinion), but it’s important to be able to look back and see what you’ve accomplished in total.

At least, my accountant thinks it is.

Well, wonder no more!

screencap new archived database KDP

KDP’s new Historical Report gives you every single sale monthly since you started publishing, and every single KOLL page read. This enables you to accurately track total sales, identify trends, and total your copies sold and free titles distributed since the dawn of KDP-time.

The new format also sets up by sales period, and lists all royalties earned by country in total, which immediately gives you your best selling countries. The report still offers the month-to-date tables, but now provides a payments and pre-orders tab, all  in one header.

Slick, easy to use, and all in one place.

A huge development for Indie writers everywhere!

Stop looking at my short blue poles. I was busy writing.

Go check our your new KDP report page! What do you think of it?

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Of Decisions Indie.

Posted this little gem on my Pinterest the other day:

 in defense of Indy

These are real things that have happened, and in a shockingly short timeframe.

Independent publishing is very quickly becoming the less scary option for thousands; especially if one does one’s publishing housework and research. Not to say that anything’s been easy, or that my writing will prove financially feasible, but I expected the process to be a hell of a lot harder and quieter post-upload.

I’m finding that the nights of sheer terror over not being a Real Writer (and having wasted precious Bathroom Renovation time) are quickly evolving into mornings horizoned by smiles: each day something new happens that flags a tangible success.

Writers like Kristen Bell, M. Louisa Locke, and J.A. Konrath, and independent media advocates like Chris Hardwick make a pretty clear case. I’m grateful they’re out there, and glad that I started listening to them.  They were an invaluable voice during the dark, “What-the-hell-am-I-doing?!?” mornings.

I still have those, by the way. They usually precede the very good “Just Because, so-keep-going” moments.  Which are my favourite.

Especially when seasoned with good, strong Coffee of Righteousness.

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